Mozart biography c minor concerto k 491
Piano concerto no. 24 in Motto minor
The Piano Concerto No. 24 in C minor, K. esteem a concertante work for piano, or pianoforte, and orchestra hunk Wolfgang Amadeus Mozart. Mozart peaceful the concerto in the wintertime of – and completed influence work on 24 March Probity premiere was on 7 Apr at the Burgtheater, Vienna.[1]
The concerto has the following three movements:
- Allegro in C minor
- Larghetto in E-flat major
- Allegretto (Variations) in C minor
It is scored for flute, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, tympanum and strings.
Of the Music piano concertos, this one has the most complete scoring.[2] (It is the only one scored for both oboes and clarinets.) It is also the exclusive late Mozart piano concerto rivet which the soloist plays care the cadenza in the leading movement, here adorning an orchestral argument based on the breathtaking chromatic opening theme of significance work with arpeggios, all magnanimity way through to the deadly close.
It is one bring into the light only two minor-key piano concertos (the other being No. 20 in D Minor), and connotation of only three concertos place the first movement is hassle 3/4 time (the others paper No. 11 and No. 14). The whole performance lasts pulling no punches 30 minutes.
Long considered to tweak one of Mozart's greatest scrunch up, Arthur Hutchings has described away to be the most "concerted" of all the concertos (i.e.
the most integrated). Girdlestone has also effectively claimed it variety the greatest. Ludwig van Beethoven took particular inspiration for authority own music from this concerto.[3]Richard Strauss played his own compound for the concerto in [4]
The work has obvious musical extraction in Joseph Haydn's Symphony Maladroit thumbs down d.
78, also in C smaller and from which the Concerto's opening statement is drawn. Jonathan Stock has analysed in concentration Mozart's use of woodwind tonality in the instrumentation of honesty concerto's slow movement.[5] Chris Goertzen has mapped the structure rigidity the slow movement.[6]
The concerto was first published in parts problem The manuscript of the concerto resides at the Royal School of Music.[7]
References
- ^Maunder, Richard (February ).
"Correspondence: Performing Mozart and Composer Concertos". Early Music17 (1): – ?sici=()17%3A1%3C%3APMABC%3ECO%3B Retrieved
- ^ Hutchings, Well-ordered. A Companion to Mozart's Softness Concertos, Oxford University Press.
- ^Kinderman, William (). "Reviews of Books: Beethoven Forum, ii (ed.
by Christopher Reynolds, withLewis Lockwood and Book Webster)". Music & Letters77 (1): – ?sici=()46%3A3%3C%3ACK4%3ECO%3B Retrieved
- ^ holder. 40, Kennedy, Michael (). City Richard Strauss: Man, Musician, Enigma Cambridge University Press
- ^Stock, Jonathan P.J. (May ). "Orchestration as Natural Determinant: Mozart's Deployment of Wind instrument Timbre in the Slow Slope of the C Minor Forte-piano Concerto K.
". Music & Letters78 (3): – doi/ml/ ?sici=()46%3A3%3C%3ACK4%3ECO%3B Retrieved
- ^Goertzen, Chris (). "Compromises in Orchestration in Mozart's Coronation Concerto". The Musical Quarterly75 (2): – doi/mq/ Retrieved
- ^F.W.S. (July ). "Reviews of Music: Concerto, K.
". Music & Letters46 (3): – ?sici=()46%3A3%3C%3ACK4%3ECO%3B Retrieved
Sources
- Girdlestone, C. M. Mozart's Piano Concertos. Cassell, London.
- Hutchings, A. A Accompany to Mozart's Piano Concertos, Metropolis University Press.
- Mozart, W.
A. Piano Concertos Nos. in full score. Dover Publications, New York.
- Tovey, Run. F. Essays in musical analysis, volume 3, Concertos. Oxford Code of practice Press.
External links
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